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[UUO]⇒ [PDF] Bad Wizard edition by James Maxey Literature Fiction eBooks

Bad Wizard edition by James Maxey Literature Fiction eBooks



Download As PDF : Bad Wizard edition by James Maxey Literature Fiction eBooks

Download PDF Bad Wizard  edition by James Maxey Literature  Fiction eBooks

A steampunk army battles witches and winged monkeys in the skies above Oz!

Bad Wizard edition by James Maxey Literature Fiction eBooks

It's just as well that I didn't remember until I finished this book that I'd previously read the author's Nobody Gets the Girl, and heartily disliked it for its dark and cynical tone. That would have prevented me from reading this one, which wasn't like that to nearly the same extent, and which I enjoyed.

There are a few reimaginings of Oz around these days. Wicked (the show and the book) and the movie Oz the Great and Powerful spring immediately to mind, and there's also been an anthology of short stories. This one, although it includes characters from the second book (Princess Ozma, the witch Mombi and, by reference, Jack Pumpkinhead), basically starts from the first book of the long series, the one everyone knows because of the classic movie, and considers only it to be "canon".

About a decade after the events of The Wonderful Wizard of Oz, Dorothy is working on a newspaper, trying to expose the Wizard, Oscar Diggs, who has risen to be US Secretary of War under President Teddy Roosevelt and is using his position, his personal wealth, and his flim-flam to assemble a force loyal directly to him which can invade Oz by zeppelin. (This gets the book referred to as "steampunk". Even though we see airships and a steam-powered exoskeleton, though, it doesn't have much of a steampunk feel to me.)

I liked the fact that two of the characters have completely incompatible world views. Esau, known as the Flying Monkey because he's a hairy man who performs an aerial act, is a devout Christian; Dorothy, disturbed and disillusioned by her youthful experiences, is a principled atheist. They manage to work together with a minimum of argument, united by their conviction that Diggs must be stopped from regaining power in Oz. That neither one is depicted as "right" while the other is "wrong" shows a restraint in the insertion of authorial personal philosophy that isn't, sadly, all that common.

Something I didn't like is that Dorothy's late fiance (who she once refers to, in an apparent continuity error, as having been her husband) is the exact male equivalent of a Woman in a Refrigerator: a character who exists only so that their death can motivate the protagonist, not as an actor in their own right. I see no reason why swapping the genders would make this trope OK, though doing it to a woman, that is, a member of a group often already deprotagonised, is worse.

Apart from a few words missing from their sentences and a couple that are misused ("enormity" for "enormousness" and "adverse" for "averse"), the editing is good, and it very nearly made my "well-edited" shelf.

Overall, apart from the Man in a Refrigerator, this was a well-motivated, well-plotted tribute to the Oz stories, and enjoyable as an old-style adventure quite apart from its literary origins.

Product details

  • File Size 2186 KB
  • Print Length 330 pages
  • Simultaneous Device Usage Unlimited
  • Publication Date September 27, 2015
  • Sold by  Digital Services LLC
  • Language English
  • ASIN B015VV68KS

Read Bad Wizard  edition by James Maxey Literature  Fiction eBooks

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Bad Wizard edition by James Maxey Literature Fiction eBooks Reviews


Nice revisiting of Oz. Better than most movies that have tried to do the same. You will enjoy this book.
Fan fiction
James Maxey writes his way into Oz territory...fan-friggin-tastic.
It was a fun romp through Oz. Except for having a grown-up Dorothy as an investigative reporter, and having the Wizard as purely evil, the book was fun and a delightful read, once again sharing an adventure with character you grew up with and know very well!
'm not a huge Oz fan, but I've seen the movie. That was plenty of background to enjoy this book. Some ten or fifteen years after Dorothy first visits Oz, she's back in Kansas, working as a reporter covering, among other things, the Wizard, known as Oscar Diggs. Little does she know, he's got a plot to get back to Oz and take over.

Maxey always has engaging characters and this book was no exception. Dorothy and Oscar were both fully realized with mixed motivations and biases. The second-string characters, including some favorites from the Oz I remember from childhood and new creations, like Esau "The Flying Monkey" and Cain, are appropriately developed and intriguing.

Speculative fiction can be an excellent playground for exploring morality and philosophy and Maxey does so here, without becoming pedantic or dry. I hope Maxey returns to this world for more books in the future.
In this sequel to The Wonderful Wizard of Oz, Dorothy has grown up and become an investigative journalist. She still has the silver slippers, which help her go places she otherwise wouldn't be able to get into. She's investigating War Secretary Diggs, the former Wizard of Oz, who has constructed a huge factory in Kansas to build dirigibles. His goal to get back to Oz, and Dorothy must stop him.

I enjoyed this lightweight adventure (albeit with a high body count). Maxey clearly knows much more about Oz than I do, and he's evolved the main characters and brought in one new and interesting one Esau, billed as the "Flying Monkey Man," a former carnival sideshow freak and engineering genius who constructs gliders and jumps from hot air balloons as his act. Diggs' theory on what Oz actually is was really intriguing, and I wish that aspect had been followed up more. Clearly, this loving tribute to the Oz books is left open for a sequel.
It's just as well that I didn't remember until I finished this book that I'd previously read the author's Nobody Gets the Girl, and heartily disliked it for its dark and cynical tone. That would have prevented me from reading this one, which wasn't like that to nearly the same extent, and which I enjoyed.

There are a few reimaginings of Oz around these days. Wicked (the show and the book) and the movie Oz the Great and Powerful spring immediately to mind, and there's also been an anthology of short stories. This one, although it includes characters from the second book (Princess Ozma, the witch Mombi and, by reference, Jack Pumpkinhead), basically starts from the first book of the long series, the one everyone knows because of the classic movie, and considers only it to be "canon".

About a decade after the events of The Wonderful Wizard of Oz, Dorothy is working on a newspaper, trying to expose the Wizard, Oscar Diggs, who has risen to be US Secretary of War under President Teddy Roosevelt and is using his position, his personal wealth, and his flim-flam to assemble a force loyal directly to him which can invade Oz by zeppelin. (This gets the book referred to as "steampunk". Even though we see airships and a steam-powered exoskeleton, though, it doesn't have much of a steampunk feel to me.)

I liked the fact that two of the characters have completely incompatible world views. Esau, known as the Flying Monkey because he's a hairy man who performs an aerial act, is a devout Christian; Dorothy, disturbed and disillusioned by her youthful experiences, is a principled atheist. They manage to work together with a minimum of argument, united by their conviction that Diggs must be stopped from regaining power in Oz. That neither one is depicted as "right" while the other is "wrong" shows a restraint in the insertion of authorial personal philosophy that isn't, sadly, all that common.

Something I didn't like is that Dorothy's late fiance (who she once refers to, in an apparent continuity error, as having been her husband) is the exact male equivalent of a Woman in a Refrigerator a character who exists only so that their death can motivate the protagonist, not as an actor in their own right. I see no reason why swapping the genders would make this trope OK, though doing it to a woman, that is, a member of a group often already deprotagonised, is worse.

Apart from a few words missing from their sentences and a couple that are misused ("enormity" for "enormousness" and "adverse" for "averse"), the editing is good, and it very nearly made my "well-edited" shelf.

Overall, apart from the Man in a Refrigerator, this was a well-motivated, well-plotted tribute to the Oz stories, and enjoyable as an old-style adventure quite apart from its literary origins.
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